
As soon as I learnt that James Ellroy, the self-proclaimed Demon Dog of American literature, was visiting Belfast’s Waterfront Hall, I bought my ticket. I have been a fan of Ellroy’s work since the 1980s. Ellroy’s visit to Belfast had been arranged, sponsored and promoted by No Alibis bookshop owner David Torrens in conjunction with Ellroy’s agent, Nat Sobel. David’s bookshop has been a fixture on Botanic Avenue, Belfast for many years and has been a mecca for discerning crime readers and myself for all of that time. I was lucky enough to win a further two tickets in a competition run by David on his website, so I was able to spread the Ellroy-love a little further! Yesterday morning I was walking up Botanic while out with some Flickr friends and called into the shop to collect the tickets. David was behind his counter as usual but introduced me to the rather tall American chap to my right – it was the Demon Dog himself! Very affable and down to earth, James made a immediate positive impression on me. One of my heroes shaking my hand; it made my day!
I have read all of his books with the exception of The Cold Six Thousand and his latest, Blood’s A Rover. My favourites have always been the LA Quartet made up of The Black Dahlia (1987), The Big Nowhere (1988), LA Confidential (1990), and White Jazz (1992). These books evoke 40s and 50s LA in spades. Think Chinatown and it’s sequel The Two Jakes, married to Curtis Hanson’s LA Confidential, only, inside your head with shades of Bogart and Bacall, and many, many others from the film noir genre. Now imagine that with all the Hollywood glamour removed and you’re almost there. Ellroy’s earlier books were good to great but he really hit his stride with the quartet. The Cold Six Thousand is where I stumbled and fell. Ellroy admitted with great candour last night that the book was over-long and the staccato style prose overdone. During his interview by local author, Stuart Neville, he told how he was going through a nervous breakdown at the time and that his marriage was “in the shitter”. I think I got around ninety pages in and gave up. The Cold Six Thousand was the middle book in a trilogy which started with American Tabloid and is completed by his new book, Blood’s A Rover, and from memory, I still don’t think I could get through it now, even though I bought Blood’s A Rover last night.
At 20:00, Ellroy strode on stage with Stuart Neville following a glowing introduction from David Torrens. He took to the podium with some zest and he stood legs apart, it appeared, so that he could speak into the microphone. He is known at times to start public appearances with:
Good evening peepers, prowlers, pederasts, panty-sniffers, punks and pimps. I’m James Ellroy, the demon dog, the foul owl with the death growl, the white knight of the far right, and the slick trick with the donkey dick. I’m the author of 16 books, masterpieces all; they precede all my future masterpieces. These books will leave you reamed, steamed and drycleaned, tie-dyed, swept to the side, true-blued, tattooed and bah fongooed. These are books for the whole fuckin’ family, if the name of your family is the Manson Family.
I think we got a version of that!
Reading for around twenty minutes, we were treated to three excerpts of his new book complete with loud and at times bordering on obscene words and gestures – electrifying! I know that when I read Blood’s A Rover, I’ll be reading it with *his* voice in my head. As a performer, I think he was excellent.
The interview segment was next. Stuart Neville did an admirable job in asking what were obviously prepared questions (he had his prompt cards in his hand!) but as an author and not a professional interviewer, I think he did fairly well. Stuart’s first novel The Twelve, or The Ghosts Of Belfast as it was called in the US, has received rave reviews. Guess what I’m buying on my next visit to No Alibis.
The interview was particularly enjoyable as we had a chance to hear some detail around how and why the books were written and the background to Ellroy’s relationships with Hollywood, his ex-wives, and his mother and father, amongst others. Also enlightening were the links between his own life and some of the male characters in his books as well as the powerful influence women have had on him and how he translates those experiences into his female characters.
James Ellroy’s politics are a paradox. This is clear when he venerates Booby Kennedy, Martin Luther King and Ronald Reagan almost in one breath and challenges his audience to see a conflict in this. I’m no expert in 20th century US politics and as Ellroy lived through it and uses it as the background for most of his work, I’ll defer to him. His take on Obama and the recent election in the US was funny to hear. McCain is a “psychopathic Mr Magoo” and Sarah Palin as ‘the worst possible running mate” brought laughter from the audience.
All in all, I had a fantastic night. I’m intent on rereading the LA Quartet, Blood’s A Rover and Stuart Neville’s The Twelve – Christmas List anyone?